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Posts tagged Music

New Zealand’s MP3 woes

March 31 2006
by Rachel

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I’ve moaned about this before but bear with me. I’m so frustrated that iTunes hasn’t yet come to New Zealand. I’m a big music listener and frankly, I’m tired of listening to the radio while I commute. There’s just far too many ads. I love discovering new music and lately I’ve found that more and more music I like isn’t getting any airplay. When I’m online lately, I’ve been using last.fm and Pandora to discover new songs and artists.

Oh, and I’m a little obsessed with the music from Grey’s Anatomy (importing the soundtrack from Amazon because it’s not available here isn’t enough). I’ve fallen in love with Imogen Heap’s music (again, Amazon imports).

I have a good friend who’s been lending me CDs of less-mainstream artists – Evermore (beautiful album), Phoenix United, Turin Brakes, The Album Leaf, Transatlanticism and Portishead – among others.

But I’d like more music to listen to while commuting. I’d love to download a tonne of songs… but because I’m in New Zealand, it’s not easy. Our copyright laws here are well overdue for an update. You see it’s still illegal to format-shift. I.e., it’s illegal here to copy songs from your CD to your computer, iPod or cellphone. It’s illegal to make a mix tape or CD. It’s illegal to make a back-up copy of your CDs. Of course, no-one I know keeps the law in this regard – and iPods are everywhere here. Technically, the only digital music New Zealanders should have is digital music they’ve bought online.

When law changes to allow one single backup copy of our CDs (like Americans already enjoy) were proposed a couple of years ago here, the head of Sony NZ, Michael Glading, said “At the end of the day, you’re sending a message that it’s okay to copy, and that is going to kill our business,” he said. Of course, nothing has happened yet and the law is falling well the pace of technology and far behind what consumers want.

Here’s another problem: iTunes hasn’t launched here yet – presumably due to legal sagas and record companies not wanting to hand over digital sale rights. Our NZ online store options currently stand at:

  1. Amplifier – MP3 format but only a limited number of New Zealand artist tracks only. No DRM which is nice. ~$1.20US for a single.
  2. Coke Tunes. Try going to their site on a Mac (“the Mac version of Windows Media Player does not support the Digital Rights Management technology used to protect the music”) or in Firefox (“CokeTunes does not currently work in the Mozilla Firefox browser due to technical limitations”) and you’re turned away at the door. They don’t have anywhere near the music selection iTunes does (not all labels are on board) and the files are in WMA and have DRM. ~$1.05US for a single.
  3. Digirama – WMA and DRM again. ~$1.01US for a single.

In summary: there’s currently no legal way to buy non-New Zealand music online within New Zealand for iPods. (Yes, you can illegally play around with the formats if you have the right software and convert from WMA and get rid of the DRM.)

So when TechCrunch reviews AllTunes – a Russian site which will accept overseas credit cards (unlike other online MP3 stores), naturally I was interested. Besides at a mere 9c US a song, it’s attractive financially. But is it legal? People argue both sides over at TechCrunch’s post. It seems to be taking advantage of a legal loophole there and I wonder if anything makes it back to the artist.

People are finding other ways of trying to get around the system legally – such as purchasing US iTunes gift certificates via Ebay (!), getting a friend in the US to purchase the songs on their credit card and then reimbursing via Paypal (messy and you’re paying for too many currency conversions).

Oh, and don’t get me started on the fact that there’s nothing legal to play on video iPods. No Google videos here. No TV show downloads here. *Sob*.

Territorial rights for digital content make no sense at all to me.

Introducing Blog 27

March 11 2006
by Rachel

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Blog 27 The hottest new blog in Germany is Blog 27 and they’ve already got a hit song!

Wait a minute… a hit song? Confusing as it may seem, Blog 27 is the name of a blog and a girl duo band from Poland.

The two 13 year olds – Tola and Alicia – have a hit single in Germany called “Uh la la la”. I heard a little sample and let me say that… while it’s not quite as annoying as the crazy frog, it’s certainly “bubble pop” aimed at kids.

Incredibly ironic: there’s not really a blog on their site. There’s a frame with a scrolling news section but no sign of common blog elements such as permalinks, comments, or archives.

I’m sure they’ll be updating the site more as it only launched a week ago but is this a case of “the word blog is cool but we don’t know what it really means”?

In case you’re wondering how I discovered Blog 27, I was glancing through a new music page and wondered if it was a typo or not.

I googled a bit and liked Heiko Hebig’s comments:

Does that mean blogs are finally mainstream in Germany? The medium is the message. Uh La La La.

“Make sure the band name contains the word ‘blog’. Every blogger on this planet will talk about them. They will hit Technorati in less than 72 hours. They will become the biggest stars since Madonna and Prince. Blog… something. Blog 27. What a great name.” Uh La La La.

Clever marketing is being the first.

I can’t believe I didn’t know about Greys Matter – a blog by the writers of the TV show Grey’s Anatomy. Whether you watch the show or not, read this excerpt from a recent post:

After next Sunday’s episode, I’ll try to write in more depth about the stories and the characters and why I did what I did in both episodes. Right now, my hands are tied because until you see “(As We Know It)â€? – which is the title of next Sunday’s episode – I really can’t say much without giving things away. And you know how I feel about that.

I read every last one of your posts. I always do. So do the other writers. We can’t tell you how much that feedback means to us. We don’t really check message boards and we try not to pay attention to the press. But we feel like you who post here are our core group, our friends and truth-tellers, so your words keep us going or make us think in new directions or inspire us when we are feeling as if no one is watching despite what the ratings say.

You guys kinda rock.

Kinda?

You just plain rock.

Someone’s shown them the Cluetrain Manifesto. There’s no corporate-speak here, there’s fascinating insight into why the writers wrote what they did. More of these blogs, please! Oh, and check out the number of comments each post attracts.

PS I love Grey’s Anatomy. And I love Grey’s Anatomy music. I’ve bought the soundtrack and have discovered brilliant artists such as Tegan and Sara which have no airtime here.

Speak For Yourself

“Speak for yourself” by Imogen Heap is quite easily the best album that I’ve heard in years. It’s unlike anything else, it’s original, beautiful, creative, full of thoughtful lyrics and it just puts you in a great mood as soon as you start listening. Each track deserves to be a single. I haven’t fallen in love with an album like this since… I can’t remember when. Classed as electro-pop, if you like pop music but you’re tired of the same-old-same-old music that’s on the radio, Imogen’s album is a breath of fresh air. She writes, records and produces her own music on her own label.

Most people haven’t heard of Imogen – I imported the CD from Amazon (it was released not long before Christmas in the US and earlier in the UK). I first discovered her through the Garden State Soundtrack (which is a lovely album) in the track “Let Go” (as half of the Frou Frou). She’s had songs on other soundtracks such as The OC, Narnia and Just Like Heaven.

I was curious to find out a little more about her, since I was so blown away by her music.. and this is where it gets more interesting.

Imogen has a blog and uses it not just as a diary and a way to connect with fans: she used it to get feedback on tracks, sounds and lyrics as she worked on the album:

…ever since I started writing the blog as well, I’ve really seen a big reaction – people just interested in the process, and what it’s really like to do it from the beginning; making a record and being involved in that.

Imogen organised everything for her album – including the cover artwork, thanks to Flickr:

There’s a website called Flickr, a photo hosting site, which has some really amazing photographers, and other people like me… who just use it for pictures on my mobile phone. And I was thinking about the artwork for the album and just thought I’d really love to get a shot of me on my bike, because a lot of the great ideas for this album came from me cycling to and from the studio. So I looked up ‘London’ on Flickr and thousands of photographs came up from the last few days, and I found about ten shots that I just kept thinking I really liked. And there was this guy called Kevin Meredith… his tag is Lomokev cos he takes shots on a Lomo camera. And I emailed him straight away and said would you be up for doing these shots of me in London, so the next day we took the shots. I sent him an email saying this is my website, this is what I do. And he wants to do it professionally, and I’m sure he’ll make it because he does amazing stuff.

When Imogen got writer’s block putting lyrics to music she’d recorded, she turned to her blog’s readers, who she see as her “A&R” team:

I wrote a blog [post] and said, look guys I’m really having trouble with this, so I gave them my three favourite ideas and out of the three they chose the subject matter for the final one. they’ve kind of become my A&R men.

Her website too, is a very personal insight into her world:

Everything that’s actually on my website is taken from my flat. The carpet is the shagpile carpet in my living room, that blue thing that comes up – like an urchin – is actually my lampshade, the EMX – the box, that’s my favourite box. The suitcase; that IS my suitcase, and the fairy lights surround my kick drum that lights up.

She gets what fans want: she ran a competition on her site to win a dinner with her where people forwarded a flash-based email:

My first idea for the competition was to do something that was so good that even somebody who didn’t really care for my music would want to send off the email. That was the idea, that everyone sends off as many emails as possible so that everyone hears about me. So, I spent quite a lot of money on the actual email.

Read the full interview »
Read her blog »
Visit her site »
See her moblog »

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